Hannah Arendt's book The Human Condition seeks to develop a theory of politics very much alive in Classical Greece, but since lost in the modern age. The motivating factor for her inquiry is the perception that politics as the sphere of freedom – of action – among equals no longer exists in a general sense in the modern world, since the social sphere (or what is equivalent to the househould [oikia] in Classical Greece – the sphere of necessity, e.g. housekeeping) and the satisfaction of needs has all but completely dominated what is nevertheless still called political life. For Arendt, this is equivalent to the banalisation of politics (the evocation of totalitarianism [cf. Eichmann in Jerusalem] is no doubt not accidental), where utilitarianism reigns and action, having ceased to be creative and an end in itself, has become a mere means to action. Conformity and necessity have squeezed the political dimension out of human life, and an essential aspect of the human condition is thereby stunted: the aspect of creativity. Schematically, Arendt in fact makes a general distinction between the vita activa – which is comprised of labour, work and action – and the vita contempletiva, the realm of thought, or more precisely, the realm of the contemplation of the eternal. While the main focus of Arend'ts analysis here is on the vita activa, she argues that there is complete equality between the two realms.
Both labour and work in the vita activa – the former concerned directly with necessity and the satisfaction of immediate biological needs, the latter concerned with utility and the world of durable objects – are activities of means; they are not essentially ends in themselves. A person's life should not only consist of labour and work – the tragedy of modern democratic societies being that so many lives are indeed so limited. The realm of action is where individuals act in complete equality with others – freedom only being realizable in association with others. In general, the social has come to dominate what was once the dichotomy between the private realm of necessity and the public, political realm of politics. And the most influential thinkers such as Locke and Marx only confirm the importance of necessity. Marx's position is acutely paradoxical here. For while on the one hand he extols labour power (and not work) as the creator of all wealth and the "essence" of man, he also says that with the communist society and the "withering away of the state," no one will be forced to labour out of necessity, each having the freedom to be a hunter in the morning and a critic at night, without anyone being essentially a hunter or a critic. This conception of labour approaches what Arendt is alluding to with the realm of politics as pure creativity, the realm of the beautiful deed.
The human condition (which is never fixed) can have the realm of freedom restored to it, now, in the modern world, says Arendt, because developments in technology have rendered the "social question" (about needs and how to satisfy them) redundant.
John Lechte, Fifty Key Contemporary Thinkers (2008)
Showing posts with label contemplation. Show all posts
Showing posts with label contemplation. Show all posts
25 April 2015
04 April 2014
philosophers, artists, saints
More profoundly feeling people have at all times felt sympathy for the animals because they suffer from life and yet do not possess the power to turn the thorn of suffering against itself and to understand their existence metaphysically; one is, indeed, profoundly indignant at the sight of senseless suffering. That is why there has arisen in more than one part of the earth the supposition that the bodies of animals contain the guilt-laden souls of men, so that this suffering which at first sight arouses indignation on account of its senselessness acquires meaning and significance as punishment and atonement before the seat of eternal justice. And it is, truly, a harsh punishment thus to live as an animal, beset by hunger and desire yet incapable of any kind of reflection on the nature of this life; and no harder fate can be thought of than that of the beast of prey pursued through the wilderness by the most gnawing torment, rarely satisfied and even then in such a way that satisfaction is purchased only with the pain of lascerating combat with other animals or through inordinate greed and nauseating satiety. To hang on to life madly and blindly, with no higher aim than to hang on to it; not to know that or why one is being so heavily punished but, with the stupidity of a fearful desire, to thirst after precisely this punishment as though after happiness – that is what it means to be an animal; and if all nature presses towards man, it thereby intimates that man is necessary for the redemption of nature from the curse of the life of the animal, and that in him existence at last holds up before itself a mirror in which life appears no longer senseless but in its metaphysical significance. Yet let us reflect: where does the animal cease, where does man begin? – man, who is nature's sole concern! As long as anyone desires life as he desires happiness he has not yet raised his eyes above the horizon of the animal, for he only desires more consciously what the animal seeks through blind impulse. But that is what we all do for the greater part of our lives: usually we fail to emerge out of animality, we ourselves are the animals whose suffering seems to be senseless.
But there are moments when we realize this : then the clouds are rent asunder, and we see that, in common with all nature, we are pressing towards man as towards something that stands high above us. In this sudden illumination we gaze around us and behind us with a shudder: we behold the more subtle beasts of prey and there we are in the midst of them. The tremendous coming and going of men on the great wilderness of the earth, their founding of cities and states, their wars, their restless assembling and scattering again, their confused mingling, mutual imitation, mutual outwitting and downtreading, their wailing in distress, their howls of joy in victory – all this is a continuation of animality: as though man was to be deliberately retrogressed and defrauded of his metaphysical disposition, indeed as though nature, after having desired and worked at man for so long, now drew back from him in fear and preferred to return to the unconsciousness of instinct. Nature needs knowledge and it is terrified of the knowledge it has need of; and so the flame flickers restlessly back and forth as though afraid of itself and seizes upon a thousand things before it seizes upon that on account of which nature needs knowledge at all. In individual moments we all know how the most elaborate arrangements of our life are made only so as to flee from the tasks we actually ought to be performing, how we would like to hide our head somewhere as though our hundred eyed conscience could not find us out there, how we hasten to give our heart to the state, to money-making, to sociability or science merely so as no longer to possess it ourselves, how we labour at our daily work more ardently and thoughtlessly than is necessary to sustain our life because to us it is even more necessary not to have leisure to stop and think. Haste is universal because everyone is in flight from himself; universal too is the shy concealment of this haste because everyone wants to seem content and would like to deceive more sharp-eyed observers as to the wretchedness he feels; and also universal is the need for new tinkling word-bells to hang upon life and so bestow upon it an air of noisy festivity. Everyone is familiar with the strange condition in which unpleasant memories suddenly assert themselves and we then make great efforts, through vehement noise and gestures, to banish them from our minds: but the noise and gestures which are going on everywhere reveal that we are all in such a condition all the time, that we live in fear of memory and of turning inward. But what is it that assails us so frequently, what is the gnat that will not let us sleep? There are spirits all around us, every moment of our life wants to say something to us, but we refuse to listen to these spirit-voices. We are afraid that when we are alone and quiet something will be whispered into our ear, and so we hate quietness and deafen ourselves with sociability.
Now and again, as already said, we realize all this, and are amazed at all this vertiginous fear and haste and at the whole dreamlike condition in which we live, which seems to have a horror of awakening and dreams the more vividly and restlessly the closer it is to this awakening. But we feel at the same time that we are too weak to endure those moments of profoundest contemplation for very long and that we are not the mankind towards which all nature presses for its redemption: it is already much that we should raise our head above the water at all, even if only a little, and observe what stream it is in which we are so deeply immersed. And even this momentary emerging and awakening is not achieved through our own power, we have to be lifted up – and who are they who lift us?
Friedrich Nietzsche, Schopenhauer as Educator §5
Now and again, as already said, we realize all this, and are amazed at all this vertiginous fear and haste and at the whole dreamlike condition in which we live, which seems to have a horror of awakening and dreams the more vividly and restlessly the closer it is to this awakening. But we feel at the same time that we are too weak to endure those moments of profoundest contemplation for very long and that we are not the mankind towards which all nature presses for its redemption: it is already much that we should raise our head above the water at all, even if only a little, and observe what stream it is in which we are so deeply immersed. And even this momentary emerging and awakening is not achieved through our own power, we have to be lifted up – and who are they who lift us?
Friedrich Nietzsche, Schopenhauer as Educator §5
18 June 2009
his hour was in sight
A secret hoard of indifferencelike a thick cake a fond old nurse might have slipped into his first school outfitcame to his aid and helped to reconcile him to sacrifice; since at the best he was too ill for aught but that arduous game. As he said to himself, there was really nothing he had wanted very much to do, so that he had at least not renounced the field of valour. At present, however, the fragrance of forbidden fruit seemed occasionally to float past him and remind him that the finest of pleasures is the rush of action. Living as he now lived was like reading a good book in a poor translationa meagre entertainment for a young man who felt that he might have been an excellent linguist. He had good winters and poor winters, and while the former lasted he was sometimes the sport of a vision of virtual recovery. But this vision was dispelled some three years before the occurrence of the incidents with which this history opens: he had on that occasion remained later than usual in England and had been overtaken by bad weather before reaching Algiers. He arrived more dead than alive and lay there for several weeks between life and death. His convalescence was a miracle, but the first use he made of it was to assure himself that such miracles happened but once. He said to himself that his hour was in sight and that it behoved him to keep his eyes upon it, yet that it was also open to him to spend the interval as agreeably as might be consistent with such a preoccupation. With the prospect of losing them the simple use of his faculties became an exquisite pleasure; it seemed to him the joys of contemplation had never been sounded. He was far from the time when he had found it hard that he should be obliged to give up the idea of distinguishing himself; an idea none the less importunate for being vague and none the less delightful for having had to struggle in the same breast with bursts of inspiring self-criticism. His friends at present judged him more cheerful, and attributed it to a theory, over which they shook their heads knowingly, that he would recover his health. His serenity was but the array of wild flowers niched in his ruin.
Henry James, The Portrait of a Lady (1976: 40-41)
Henry James, The Portrait of a Lady (1976: 40-41)
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