Heel of a shoe.

"How well-made that is! What a skillful workman! What a brave soldier!" That is where our inclinations come from, and our choice of careers. "What a lot that man drinks! How little that man drinks!" That is what makes people temperate or drunkards, soldiers, cowards, etc.

Pascal, Pensées 117 (1987: 38)

I knew it pleased her

"Laugh, laugh at me!" I exclaimed in intoxication, because I was terribly pleased with this whole conversation and the direction it had taken. "From you it only gives me pleasure. I love your laughter, Anna Andreevna! You have this feature: you keep silent and suddenly burst out laughing, instantly, so that even an instant earlier one couldn't have guessed it by your face. I knew a lady in Moscow, distantly, I watched her from a corner. She was almost as beautiful as you are, but she couldn't laugh the way you do, and her face, which was as attractive as yours—lost its attraction; but yours is terribly attractive . . . precisely for that ability . . . I've long been wanting to tell you."
  When I said of the lady that "she was as beautiful as you are," I was being clever: I pretended that it had escaped me accidentally, as if I hadn't even noticed; I knew very well that women value such "escaped" praise more highly than any polished compliment you like. And as much as Anna Andreevna blushed, I knew it pleased her. And I invented the lady; I didn't know any such lady in Moscow, it was only so as to praise Anna Andreevna and please her.

Fyodor Dostoyevsky, The Adolescent (2003: 240-241)

leaning her head

But into what sanctuary had one penetrated? Lily Briscoe had looked up at last, and there was Mrs Ramsay, unwitting entirely what had caused her laughter, still presiding, but now with every trace of wilfulness abolished, and in its stead, something clear as the space which the clouds at last uncover—the little space of sky which sleeps beside the moon.
  Was it wisdom? Was it knowledge? Was it, once more, the deceptiveness of beauty, so that all one's perceptions, half-way to truth, were tangled up in a golden mesh? or did she lock up within her some secret which certainly Lily Briscoe believed people must have for the world to go on at all? Every one could not be as helter-skelter, hand to mouth as she was. But if they knew, could they tell one what they knew? Sitting on the floor with her arms round Mrs Ramsay's knees, close as she could get, smiling to think that Mrs Ramsay would never know the reason of that pressure, she imagined how in the chambers of the mind and heart of the woman who was, physically, touching her, were stood, like the treasures in the tombs of kings, tablets bearing sacred inscriptions, which if one could spell them out would teach one everything, but they would never be offered openly, never made public. What are was there, known to love or cunning, by which one pressed through into those secret chambers? What device for becoming, like waters poured into one jar, inextricably the same, one with the object one adored? Could the body achieve it, or the mind, subtly mingling in the intricate passages of the brain? or the heart? Could loving, as people called it, make her and Mrs Ramsay one? for it was not knowledge but unity that she desired, not inscriptions on tablets, nothing that could be written in any language known to men, but intimacy itself, which is knowledge, she had thought, leaning her head on Mrs Ramsay's knee.
  Nothing happened. Nothing! Nothing! as she leant her head against Mrs Ramsay's knee. And yet, she knew knowledge and wisdom were stored in Mrs Ramsay's heart. How then, she asked herself, did one know one thing or another thing about people, sealed as they were? Only like a bee, drawn by some sweetness or sharpness in the air intangible to touch or taste, one haunted the dome-shaped hive, ranged the wastes of the air over the countries of the world alone, and then haunted the hives with their murmurs and their stirrings; the hives which were people. Mrs Ramsay rose. Lily rose. Mrs Ramsay went. For days there hung about her, as after a dream some subtle change is felt in the person one has dreamt of, more vividly than anything she said, the sound of murmuring and, as she sat in the wicker arm-chair in the drawing-room window she wore, to Lily's eyes, an august shape; the shape of a dome.

Virginia Woolf, To the Lighthouse (1973: 59-60)

armed at all points

Familiarity had modified in some degree her first impression of Madame Merle, but it had not essentially altered it; there was still much wonder of admiration in it. That personage was armed at all points; it was a pleasure to see a character so completely equipped for the social battle. She carried her flag discreetly, but her weapons were polished steel, and she used them with a skill which struck Isabel as more and more that of a veteran. She was never weary, never overcome with disgust; she never appeared to need rest or consolation. She had her own ideas; she had of old exposed a great many of them to Isabel, who knew also that under an appearance of extreme self-control her highly-cultivated friend concealed a rich sensibility. But her will was mistress of her life; there was something gallant in the way she kept going. It was as if she had learned the secret of it—as if the art of life were some clever trick she had guessed. Isabel, as she herself grew older, became acquainted with revulsions, with disgusts; there were days when the world looked black and she asked herself with some sharpness what it was that she was pretending to live for. Her old habit had been to live by enthusiasm, to fall in love with suddenly perceived possibilities, with the idea of some new adventure. As a younger person she had been used to proceed from one little exaltation to the other; there were scarcely any dull places between. But Madame Merle had suppressed enthusiasm; she fell in love nowadays with nothing; she lived entirely by reason and by wisdom. There were hours when Isabel would have given anything for lessons in this art; if her brilliant friend had been near she would have made an appeal to her. She had become aware more than before of the advantage of being like that—of having made one's self a firm surface, a sort of corselet of silver.

Henry James, The Portrait of a Lady (1976:401)

October 22

A connoisseur, an expert, someone who knows his field, knowledge, to be sure, that cannot be imparted but that fortunately no one seems to stand in need of.

Franz Kafka, Diaries 1914-1923 (1968: 197)

Damn your eyes

Minta, Andrew observed, was rather a good walker. She wore more sensible clothes than most women. She wore very short skirts and black knicker-bockers. She would jump straight into a stream and flounder across. He liked her rashness, but he saw that it would not do - she would kill herself in some idiotic way one of these days. She seemed to be afraid of nothing - except bulls. At the mere sight of a bull in a field she would throw up her arms and fly screaming, which was the very thing to enrage a bull of course. But she did not mind owning up to it in the least; one must admit that. She knew she was an awful coward about bulls, she said. She thought she must have been tossed in her perambulator when she was a baby. She didn't seem to mind what she said or did. Suddenly now she pitched down on the edge of the cliff and began to sing some song about

Damn your eyes, damn your eyes.

They all had to join in and sing the chorus, and shout out together:

Damn your eyes, damn your eyes.

but it would be fatal to let the tide come in and cover up all the good hunting-grounds before they got on to the beach.

Virginia Woolf, To the Lighthouse (1973:86)

Already possessed

Silently she admired him. His complexion was reddish and weather-burned, so was his short hair – a light growth of it rolled down his arms and hands. His eyes were of a bright, hard blue. His nose was somewhat pointed and there was never any doubt at whom he was looking or talking – and this is a flattering attention, for who looks at us? – glances fall upon us, curious or disinterested, nothing more. His voice, with some faint Irish melody running through it, wooed the world, yet she felt the layer of hardness in him, of self-control and of self-discipline, her own virtues. Oh, she chose him, and Nicole, lifting her head saw her choose him, heard the little sigh at the fact that he was already possessed.

F. Scott Fitzgerald, Tender is the Night, Chapter 4