Familiarity had modified in some degree her first impression of Madame Merle, but it had not essentially altered it; there was still much wonder of admiration in it. That personage was armed at all points; it was a pleasure to see a character so completely equipped for the social battle. She carried her flag discreetly, but her weapons were polished steel, and she used them with a skill which struck Isabel as more and more that of a veteran. She was never weary, never overcome with disgust; she never appeared to need rest or consolation. She had her own ideas; she had of old exposed a great many of them to Isabel, who knew also that under an appearance of extreme self-control her highly-cultivated friend concealed a rich sensibility. But her will was mistress of her life; there was something gallant in the way she kept going. It was as if she had learned the secret of it—as if the art of life were some clever trick she had guessed. Isabel, as she herself grew older, became acquainted with revulsions, with disgusts; there were days when the world looked black and she asked herself with some sharpness what it was that she was pretending to live for. Her old habit had been to live by enthusiasm, to fall in love with suddenly perceived possibilities, with the idea of some new adventure. As a younger person she had been used to proceed from one little exaltation to the other; there were scarcely any dull places between. But Madame Merle had suppressed enthusiasm; she fell in love nowadays with nothing; she lived entirely by reason and by wisdom. There were hours when Isabel would have given anything for lessons in this art; if her brilliant friend had been near she would have made an appeal to her. She had become aware more than before of the advantage of being like that—of having made one's self a firm surface, a sort of corselet of silver.
Henry James, The Portrait of a Lady (1976:401)
